Wolfgang Weingart Weingart was most influential as a teacher and a design philosopher. percent of that would be enough!) or are we returning to a kind of stasis in terms of classical and mail to: barbara.junod@zhdk.ch, Share: Twitter our school, you must find your own path and dream.” And I did not The International Style was an architectural style that came about in the 1920/30’s, it was defined by Henry-Russell Hitchcock and Philip Johnson both two majorly influential architects from America. Weingart: The structure of the images changed, but the concept He is credited with being the father of Swiss Punk or the New Wave style. He is credited with being the father of Swiss Punk or the New Wave style. Takenobu Igarashi Pushed the Parameters of Typography with His Hand-drawn 3D Letterforms, How Designer, Activist + Historian David King Defined a Visual Style for the Left, The History of Ballot Design is the History of Democracy, All My Attempts at Cooking From the Buckminster Fuller Cookbook, Japanese Boro Textiles Tell Histories of Labor and Love Through Patchwork, Decades Later, India’s First Graphic Novel Has Found a Cult Following, How Tupperware Became the Original Social Network of 1950s Suburbia, The Overlooked Work of Paul Peter Piech, Mid-century “Anti-establishment” Designer, A Peek into the Portfolios of Susan Kare, Aaron Douglas, Push-Pin Studios + More, Looking Back at George Him, an Early Advocate for Graphic Design, Knowing Your Design History is Crucial to Aesthetic Innovation. Weingart: Typography is the first exhibition in Switzerland which features his personal work as well as results from his teaching. Retrospective at the Museum of Design in Zurich, https://en.wikipedia.org/w/index.php?title=Wolfgang_Weingart&oldid=943889227, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SIKART identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. ... light and plane surfaces which can be seen used in the architecture of the Bauhaus School of Design which Weingart attended and taught at. This reality have never had time look back at what opportunities I made possible for Growing up with Doctors as parents, Wolfgang never really had any influence in design. Many of "What still surprises and inspires me today: to turn blank paper into a printed page.”. The 27 year old unknown designer then began teaching in the Basel School of Design after Armin Hofmann invited him to teach there, by the sheer admiration of his work. Research into Tradition, Media Revolutions and Innovation in the Work of Wolfgang Weingart 1961–2004,” an excerpt of which was published in the exhibition catalog, Weingart Typografie. Heller: Your classes at the Basel School of Design are Weingart: Forty-five years ago I was very uncivilized. He was a member of the Alliance Graphique Internationale (AGI) from 1978 to 1999, and served on the editorial board of Typographische Monatsblätter magazine from 1970 to 1988. [4] Between 1974 and 1996, at Hofmann’s invitation, Weingart taught at the Yale Summer Program in Graphic Design in Brissago, Switzerland. But given in einigen fällen auch unbekanntes und/oder offensichtlich aus nächstem umfeld stammendes. from all over the globe, especially from the United States. principals of typography were published. 60s tecta bank p1 hans könecke so-called “New Wave.” Yet I never wanted to create a fixed style, so I Weingart, being encouraged by Hanke, and having met Emil Ruder and Armin Hofmann, moved to Basel, Switzerland in 1963 and attended Basel School of Design. The remaining third of the archive is made up of a cross section of student projects that were carefully selected from over three decades-worth of archived material that Weingart had methodically set aside and safeguarded. KunstKredit- this is a cover for a magazine that Weingart done, which features his favourite font Akzidenz Grotesk, Affiche das Schweizer Plakat- Here is an exhibition poster, 1984 probably his most well-known, featuring the Matterhorn, Typography- His most famous work, a book discussing his philosophy and work. From here Weingart then began his typographic career in the early sixties as part of a 3 year apprenticeship at Ruwe Printing as a typesetter and it was from here that Weingart became familiar with Swiss type. In April 1958 he returned to Germany and began his studies at the Merz Academy in Stuttgart, where he attended a two-year program in applied graphic arts.