This was my first time working with pixels, doing it on the screen. À ce jour, l’influence de Susan Kare sur le développement moderne reste considérable. Improve your designs with these typography tips, Why the new Macs are a game-changer for product designers, Learn from Apple’s art of tech explanation, The greatest piece of design you can’t buy (in America), How UX designers use psychology to manipulate their users, The cognitive overload happening on your screen right now. Icons were an important step in making computers accessible to mainstream users, instead of being limited to programmers with the know-how to work with code. Découvrez l’univers de Amit Shimoni, un artiste qui transforme les célébrités en hipsters ! On this International Women’s Day, we wanted to honor a particular woman in tech who’s had an such immense impact on our lives, that we should thank her every day and not just on March 8th. Après des semaines de recherche, la première police validée fut Chicago qui est la police système par défaut du Mac dans les versions 1 à 7.6. Sa technique ? This was semiotics in action. But design problems are solved by thinking about context and metaphor — not by tools. Kare invented the command key, based on a stylised castle as seen from above (commonly used in Swedish Campgrounds for a place of interest). They gave a lifeless computer a warmth and personality that lives on in the modern Mac to this day. Here are some of her sketches and drafts for the original icons. Créez votre compte dès maintenant. Cairo – was a fun font that played around with the idea of modern hieroglyphics. Graphic designer Susan Kare is the “woman who gave the Macintosh a smile.” 1 She is best known for designing the distinctive icons, typefaces, and other graphic elements that gave the Apple Macintosh its characteristic—and widely emulated—look and feel. Aujourd’hui, Susan Kare travaille toujours dans le design, à San Francisco, pour produire entre autres des icônes qui soient aussi fortes et percutantes que celles du Mac en son temps. The image was later chosen for the Print Setup dialog box in the classic Mac OS. I needed to make capital letters that could fit into a very small grid, seven squares wide, nine squares high. But it is not just her fonts and contributions to Typography that make Susan Kare a design icon. Later it got named Chicago — [the Apple programmer and designer] Andy Hertzfeld and I were from suburban Philadelphia, and we had named the fonts after stops on the Paoli commuter train, like Rosemont. A member of Apple’s original Macintosh team, she designed some of the most recognizable icons that we still use today. Nous essayions d’obtenir quelque chose qui puisse devenir instinctivement familier et clair, à même de guider les néophytes […] ». → À propos du Dogcow (2) There’s no more famous name in computer icon design than Susan Kare, who remains best known for creating the famous icons for the original Macintosh. Icons are a concept that we sometimes take for granted. En effet, c’est elle qui a créé les premières polices Apple, les premières icônes pour le Macintosh et celles de Windows 3.0. Subsequently I’ve been able to take advantage of more robust tools and higher screen resolution, and also design vector images in Illustrator. Le concepteur Andy Herzfeld lui demande de créer une série d’icônes pour le système, ainsi que des polices de caractères. I went on to design icons which, unlike the font, had the element of symbolism, a different kind of problem to solve, because there was a concept along with the pixels. Currently leading Susan Kare Design, a digital design practice in San Francisco, and Kare Prints (giclee prints of some of her favourite icons), she's also the brains behind font families such as Chicago, Monaco and Geneva, and has designed thousands of icons … Susan Kare réalise ses premiers croquis sur du papier millimétré. → Plusieurs articles sur eyeondesign.aiga.org, esadlabs-reims.org, blogs.plos.org, fastcodesign.com Having a limited space of 32×32 pixels she had to craft some of the symbols that have stuck with us through everyday. A member of Apple’s original Macintosh team, she designed some of the most recognizable icons that we still use today. Diplômée d’art à l’université de New York, elle rejoint Apple en 1982. » explique Susan Kare. Since 1983, the San Francisco-based designer has designed thousands of software icons that have become familiar to … I called it Elefont, because it was supposed to be big and heavy. Et si vous avez aimé l’article, partagez-le autour de vous ! Typefaces before then used to be exclusively Monospaced – each letter form having the same width and spacing as the next element. Kare adapted iconography into the Mac’s interface. → Le site de Susan Kare © 2020 CNET, A RED VENTURES COMPANY. Are you inspired? Saisissez votre adresse e-mail pour vous abonner à Index Grafik et recevoir une notification de chaque nouvel article par email. In her sketches, each square represented a single pixel. explique Susan Kare. Après avoir conçu le premier set d’icônes sur Mac, Susan Kare est également à l’origine de celui de Windows 3.0.